Monday, February 20, 2017

How The Other Half Banks, 2016, Mehrsa Baradaran Book Review

How The Other Half Banks, 2016, Mehrsa Baradaran
Book Review, Joseph Homer

Towering, national, corporate banks were not always the dominant monoliths that they are today. But as ‘big-banks’ edged out their local, community-lending competitors, lower-income clients, whom they no longer banked, had nowhere to go but to a growing payday lending industry (Baradaran 8). Chronicling this history of banking, Mehrsa Baradaran’s “How The Other Half Banks” begins by reviewing key founding-father concerns about federal banking and its relation to power and goes on to describe big banking’s near-total abandonment of the non-rich, non-corporate public. She reviews current banking practices and suggests alternatives that may very well provide credit opportunities – opportunities to live and thrive – for all.
Banking, in her view, has long been bound up with morality, democracy, and opportunity. Importantly, Baradaran explains that the under-banking of the poor is, in part, bound up with a deep-seeded but misguided moral conceit: that the ‘poor’ are unable to bank themselves, and they cannot handle or manage their finances, not to mention complex financial services (Baradaran 115, 119). Likewise, she shows how a landscape once covered by community banks concerned with the banking needs of its local inhabitants was eventually supplanted by that of a concentrated, centralized system of a few national banks. This trend was the direct result of increasingly-deregulated industrial and market forces, fierce cost-cutting competition, and decisions to systematically bank only debtors seen as lucrative (Baradaran 7, 53, 57, 64). This trend, enabled by financial deregulation, dried up easily-accessible credit sources for the hard-of-luck, and fueled the payday-lending industry, which has since unscrupulously and predatorily banked those abandoned by mainstream banks (Baradaran 8). She observes these unwinding and seemingly-irreversible trends as indicative of a troubling development in our democracy, one that strikes at its egalitarian tenets and especially the notion that, if we work hard, we may each have the resources necessary to live fulfilling lives. In the place of banks that have failed and neglected most of us, she suggests that we re-create a public option in banking, returning to the roots of what, in large part, gave rise to our democracy and the strength of America in general: the Post Office (Baradaran 9).
Postal Banking could bank those willfully abandoned by big banks and usuriously exploited by fringe lenders. This high-interest industry, while serving a market need, preys upon desperate citizens in complicated financial situations: those grappling for the rescuing ropes of credit only find the entrapping chains of endless cycles of debt, exorbitant interest-payments and hidden fees (Baradaran 10). Given this reality, she urges us to consider Postal Banking as an alternative. Not only had it been a success in the United States in the earlier part of the century and had contributed to our victory in Europe; it is also widely practiced and popular around the world (Baradaran 9). Perhaps most importantly, however, is the fact that we already have the infrastructure to make it a reality, with postal outposts inhabiting even the most remote American corners (Baradaran 9, 205). As private for-profit banks and their payday-lending counterparts continue to abandon the public-at-large in spite of being funded and routinely rescued by it, Postal Banking might well provide a new path to social solvency and equality of access to credit.
Baradaran provides an interesting look into the history of debt in the particulars of the United States as well as a defense of those struggling in poverty, and reminds us of the importance of creating financial opportunity for all. Moreover, she provides us with a meticulously-argued case for why we must do so: it is incumbent upon us to put this idea into action, and what is at stake is the very financing of the American Dream (Baradaran 10).

Saturday, July 9, 2016

Joseph Homer: Bee fails to ask right questions about homelessness (letter to the editor)

Re “ ‘No panhandling’ signs installed to educate public” (Front page, June 6): Again and again I read articles unfairly representing people experiencing homelessness, misunderstand their plight and interviewing only the people who often put them in difficult situations.
Did the article interview any homeless people about how panhandling is the last means they have to make enough to stay in a hotel bed and not on concrete? Did the article describe the terrible deficit of available and affordable housing the county has? Does the article highlight how many of the people panhandling perhaps can’t work, are barred from work or who are doing the best they can to get by in an unforgiving economy? No. Again, The Bee – like so many others – furthers a moralized, incomplete understanding of homelessness as the result of poor individual decisions, i.e., drug abuse and alcoholism, rather than the direct and unequivocal result of an unfair economic system which radically underserves its population.
Precarious economic conditions cause homelessness; lack of a support network causes homelessness; inability to deal with emotions and difficult situations cause homelessness. If you want to know what causes homelessness, ask the person down the road: they will know
JOSEPH HOMER, MODESTO

Read more here: http://www.modbee.com/opinion/letters-to-the-editor/article82391977.html#storylink=cpy

Thursday, June 30, 2016

Everybody Out

One of my favorite non-regular events are fire drills. Unlike other somewhat-predictable events, fire drills disclose a telling weirdness that forces us to relax momentarily. When we are drilled on our response time to a non-existent threat, we are forced to leave our normal routine and mill about one another nonchalantly or sometimes with concern but almost always with little to entertain ourselves but each other.


Being outside in such a non-purposive way is unfamiliar and a little strange to us, and some even attempt to break the coda of the drill as quickly as the disturbing calm sets in. It’s as if we don’t know what roles to play when we leave the scripts of working with or spending leisure time about one another.

And the pause reminds us also of the rhythm and pace of our lives lived, always doing, working, playing, being, never-ceasing. It is the exception to the rule of the world of work and a world based on the production of something, the creation of value. Evidence of the specific way in which we govern and inhabit space and occupy our lives.

Eventually, we brave the awkwardness of losing our roles or wimper in their temporary bereavement, but often we recover, and we move forward, reprising our scripts and routinized selves.

And we do so as if nothing had happened in the first place, but for it, for the experience, we know each other better, and for a brief moment, see one another as actively-coping beings and not finished, finishing products. In the process, we inevitably, if implicitly acknowledge our basic meaning-seeking, meaning-creating selves that inhabit a shared, everyday-created, everyday-reconstituted world.

Tuesday, January 5, 2016

Hi, my name is Joseph Homer...

…and my hobbies include looking at new school course catalogs and pretending I live in New York

Modesto...

Where having skills doesn't really matter anyways

Saturday, May 16, 2015

Social Distance, Re: Exchange between Iñárritu and Downey on significance of Superhero genre

http://www.newyorker.com/culture/cultural-comment/advice-for-robert-downey-jr-avengers-ultron-cultural-genocide?mbid=social_facebook

My running opinion on this is that our political economic totality routinely produces aggression due to its tendency to create expectations and wants that are systematically, even egregiously, unmet, all aside from need.

Action movies are like boxing fights in that they sublimate the aggression we experience in an through the frustration of these chronically unmet needs.

In this sense, Iñárritu is far from correct in asserting that superhero movies are insignificant culturally, for they serve a crucial role in staving off the realization of this aggression in our everyday lives, which explains as well why we like boxing and shooting guns.

In this way, he just demonstrates his own socioeconomic distance from his potential viewers.